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Most of the times things in life don't go as planned, and that doesn't necessarily imply that it's wrong, it's just the way it is and the way it should be. That's what this improvisation represents today, a nocturne that serves to express feelings, there are several mistakes, but that doesn't take away from the fact that it's real, that the guitar speaks and breathes through every pore of its wood.
I think most human beings have gone through the stage of falling in love, I think very few people can deny it, that is, at least once in our lives, we have fallen in love with a person and we have felt very nice, we have felt in the clouds, almost like flying on cotton drops, everything is perfect, being with that person is our safe place, time does not pass, everything freezes, there are no worries during those magical moments, I would like this song today as an improvisation, activate that memory in our lives, and that at least for a moment, we return to dream of eternal love and possible.
La mayoría de las veces las cosas en la vida no salen como una las planea, y no necesariamente eso implica que este mal, simplemente asi es y asi debía de ser.
Eso mismo representa esta improvisación de hoy, una nocturna que sirve para expresar sentimientos, hay varios errores, pero eso no le quita que sea real, que la guitarra hable y respire por cada poro de su madera.
Creo que la mayoría de seres humanos hemos pasado por la etapa del enamoramiento, considero que muy pocas personas pueden negarlo, es decir, al menos una vez en nuestras vidas, nos hemos enamorado de una persona y hemos sentido muy lindo, nos hemos sentido en las nubes, casi como volando sobre gotas de algodón, todo es perfecto, estar con esa persona es nuestro lugar seguro, no transcurre el tiempo, todo se congela, no hay preocupaciones durante esos instantes mágicos, quisiera que esta canción de hoy a modo de improvisación, active ese recuerdo en nuestras vidas, y que por al menos un instante, volvamos a soñar con el amor eterno y posible.
I am using amplitube 4, I still don't dare to decide to use version 5, because I simply don't feel that I need it nor do I hear a very noticeable change to the sounds obtained, maybe that could be observed with more powerful headphones, of greater range, but for the moment I think that they are more advantages than disadvantages.
I am using the OBS program to record the video and join it to the music that comes out from reaper, it seems to me that it is the most appropriate way to record the night improvisations, that comes out in a natural way, fluid, and above all that serves as a restorative therapy for me, first of all and then for the world, if possible.
My strings are Alice 0,10 and the guitar used is an Ephipone Les Paul special II.
Estoy utilizando amplitube 4, aún no me atrevo a decidirme a utilizar la versión 5, porque simplemente no siento que la necesite ni tampoco escucho un cambio muy notorio a los sonidos obtenidos, depronto eso podria observarse con unos audifonos más potentes, de mayor gama, pero por el momento pienso que son más ventajas que desventajas.
Estoy utilizando el programa de OBS para grabar el video y unirlo la musica que sale desde reaper, me parece que es la manera mas apropiada de grabar las improvisaciones nocturnas, que salga de manera natural, fluida, y sobretodo que sirva de terapia reparadora para mi, primeramente y luego para el mundo, de ser posible.
Mis cuerdas son Alice 0,10 y la guitarra utilizada una Ephipone Les Paul special II.
For today's improvisation the musical scale is Bb Ionian, which if I remember correctly is the Ionian scale, if you see? that's why music theory is important, well that's what many musicians say, however there are others who do not support it and even so they are famous, I'm left with that is half true, that is, one can make music and be good at what he does, but there will be limitations that will not allow one to compose or improvise the best musical works, but there is a whole debate within myself about it, on the one hand, I would like to compose like Joe Satriani, do his solos, but then he starts talking about music theory, how every time he is playing a chord he is thinking about the composition of that chord, he is thinking about the composition of that chord, of how every time he is playing a chord he is thinking about the composition of that chord, of his notes, of the possible scales, the minor, the major, the harmonica, the Greek modes to give it soul, and no more with what I just said, there are already hours and hours of study and above all of practice, I think at some point I will take it up again, but it takes time, too much, almost like dedicating oneself to music and being able to play hours a day to develop as an integral musician, and well not everyone can do that.
Para la improvisación de hoy la escala musical es de Bb Ionian, que si mal no recuerdo es la escala jónica, si ven? por eso es importante la teoría musical, bueno eso dicen muchos músicos, sin embargo hay otros que no lo respaldan y aun asi son famosos, yo me quedo con que es verdad a medias, es decir, uno puede hacer musica y ser bueno en lo que hace, pero van a haber limitantes que no van a permitir que uno componga o improvise las mejores obras musicales, pero hay todo un debate dentro de mi mismo respecto a ello, por un lado, me gustaría componer como Joe Satriani, hacer sus solos, pero luego empieza a hablar de teoría musical, de como cada vez que está tocando un acorde está pensando en la composición de ese acorde, de sus notar, de las escalas posibles, la menor, la mayor, la harmonica, los modos griegos para darle alma, y no más con lo que acabo de decir, ya hay horas y horas de estudio y sobre todo de practica, pienso en algún momento retomarlo eso si, pero se necesita tiempo, demasiado, casi que dedicarse a la musica y poder tocar horas al día para desarrollarse como un musico integral, y bueno eso no todos lo podemos hacer.
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