🎶🎻 Adagietto (2) de Gustav Mahler / 🎶🎻 Adagietto (2) by Gustav Mahler

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    gregorior

    Published on Jun 18, 2020
    About :

    Hola queridos amigos y lectores, espero estén todos muy bien el día de hoy,

    Continuando un poco con la idea de publicaciones que básicamente es tener varios días de post diarios trabajando y explicando una pieza, pero por fragmentos importantes, para así en una semana abarcar una o dos piezas sinfónicas.

    Es por esto que decidí empezar con una obra sumamente famosa por lo sublime, por lo lindo y por el compositor, el Adagietto de la quinta sinfonía de Gustav Mahler

    Para resumir puntos importantes que debemos tener en cuenta para entender el segundo fragmento de hoy debemos recordar lo siguiente:

    MAHLER:

    • Austríaco

    • Post romanticismo (Período)

    • Obras con ideas espirituales y terrenales

    • Fuertes depresiones y cercanía a la muerte, con los fallecimientos de varios de sus hermanos y su hija

    Entendiendo todo esto, sabiendo que Mahler siempre va a escribir música en la que demuestra todas está vivencia, veremos cómo en el Adagietto va a cambiar un tanto, y va a ser prácticamente por su amor, Alma Mahler

    Esta pieza nacerá desde el amor que le tiene a su esposa, a esa esperanza de vida, a todo lo bonito que todos estos sentimientos conllevan.

    Ayer, escuchamos cómo comenzaba todo, con un suspiro fuerte en las tres primeras notas, teniendo en las siguientes mucha fluidez sentimental y hasta espiritual, con un vibrato cuidado.

    Hoy, en lo que escucharemos, vamos a notar que sigue en esa misma onda y que el fragmento se conecta con el ya comenzado con nuevamente, un (do) del primer violin,

    Vuelva nuevamente esta dulzura, con vibrato cuidado y sin subidas de intensidad, aún. Algo muy sutil, como ya les dije. Pero que poco a poco va a tomar ese amor aferrado, ese amor que se va haciendo inmenso y que sin pensarlo nos domina como humanos y nos eleva.

    Es así donde está sensación es sumamente notoria, pero justo de fondo se puede sentir un miedo, un algo también aferrado pero que no es solamente amor, sino algo como dolor. Que quizás podría ser el mismo dolor que Gustav Mahler estaba soltando de todo lo vivido

    Link:

    Con este segundo fragmento nos vamos a dar cuenta como ya empezamos a abarcar la parte intensa, pero que aún no llega a su climax, así que los espero mañana para seguir explicándoles y trayendoles más de esta belleza de música, gracias por leer, escuchar y apoyar, ¡abrazo inmenso!

    Hello dear friends and readers, I hope you are all very well today,

    Continuing a bit with the idea of ​​publications, which is basically having several days of daily posts working and explaining a piece, but for important fragments, in order to cover one or two symphonic pieces in a week.

    This is why I decided to start with an extremely famous work for the sublime, for the beautiful and for the composer, the Adagietto of the fifth symphony by Gustav Mahler

    To summarize important points that we must bear in mind to understand today's second fragment, we must remember the following:

    MAHLER:

    • Austrian

    • Post romanticism (Period)

    • Works with spiritual and earthly ideas

    • Strong depressions and closeness to death, with the deaths of several of his brothers and his daughter

    Understanding all this, knowing that Mahler will always write music in which she demonstrates all this experience, we will see how in the Adagietto she will change somewhat, and it will be practically for her love, Alma Mahler

    This piece will be born from the love he has for his wife, to that life expectancy, to all the beautiful things that all these feelings entail.

    Yesterday, we heard how it all started, with a strong sigh in the first three notes, having a lot of sentimental and even spiritual fluidity in the following, with careful vibrato.

    Today, in what we will hear, we will notice that it continues in that same wave and that the fragment connects with the one already started with again, one (do) of the first violin,

    Return this sweetness again, with careful vibrato and without any increase in intensity, yet. Something very subtle, as I already told you. But that little by little he is going to take that clinging love, that love that is becoming immense and that without thinking dominates us as humans and elevates us.

    This is where this sensation is extremely noticeable, but right in the background you can feel a fear, something also clinging to but that is not only love, but something like pain. That perhaps it could be the same pain that Gustav Mahler was letting go of everything lived

    Link:

    With this second excerpt we will realize how we have already begun to cover the intense part, but that has not yet reached its climax, so I hope you tomorrow to continue explaining and bringing you more of this beauty of music, thanks for reading, listening and support, huge hug!

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