Confiar en el proceso también es confiar en lo que estoy creando, aunque todavía no se vea como quiero / Trusting the process also means trusting what I'm creating, even if it doesn't look the way I want it to yet (Esp-Eng)

Transcript

While I streno this libretta, I thought in what difficult for me, the commences. If they'd show them all the libretas that I'm in pesas and, and, without terminate, probably, they'd be astustarian. For that I think that, at least, in my case, commensar, not is the problem, is sottener in the time. And this, not me pass only in the art, oh-o, although it But when I go to the process creative, it's a little more evident. I feel a little more evident. Because, to keep creating, when something not me is very difficult, because I'm extremely perfectionist. When something that I imagined in my head, not is like to what I'm seeing, front of my eyes, me frustraught, me molest. internal to say, is that not you sell, is that not you get well, is that not is beautiful, is that you don't have the talent, is that no is prolijo, is that you're in that I had rebates impressionants, as a girl of five years, that me parable, and not she'd doing it, and I'd say it, and I'd beckyencha, and I'd beck, and I'd, I'd, desist, of what I'm doing, to what I'm doing, no sir, I'm Now, with a little more of years on, with a little more of experience, I want to believe, when these situations me pass, and this emotion of frustration and of noho, for not to do what I want, how I want, or that no be it, and when all these words, begin to appear in my head, I'm This not happened when I was learning to, for example, because I assume that, surely, me ca I've got hundreds of times, but I'm going to remember. I suppose that I'm caught 300,000 times. Now, what I do record, and very well, is to have me caught many times, many times, and, and learning to patinar, no idea. I never me converted in a grand patinator, no, I'm not, of actually. But, but I've enjoyed so, the power to be on patina. And it's something that I'm so much that I'd So, it's per die in the way, because now, it's more important the result, that the disrute of what I'm doing. And when that's so, when that's so, in what moment, I'm going to, in what moment, in what moment, I'm going to do so, and I'm more profound, because this analysis, comes, of my, I'm To get to enjoy to be in those patines, although it was for a time very cortito, you, but you've got to pass by the process, and you had to pass for the caithes. You had to get one and other time, for median-mendoment to encounter, some way, of the equilibrium and not to get, and not to, but me took to caeer, but I had to caeer, for that that could be I know, and I want to do it, I think, I'd say that this not is so in my processes creatives or in all the other processes of my life. I don't know if that's that you, in your life, for example, but to me me, and much. For what I'm so I'm in my process creative, has to be different. Because I have to know how will be to do, or how I'm going to do exactly, from the first. There are people that will sell, is that sumosissimo at the first, but I'm perhaps that we're more the more than, and even though I don't see that, why I've got to do. I don't know that's story, because the expectation has to be exactly, so. If we're And that is the error that I've committed many times, especially in my processes of art. That the expectation, when it gets the reality, is the reality that we do with the resources that we have, with the arraintas that we have, with the knowledge, the time, and the capacities, and the apprenticeship. And it's perfect. But, me has to get perfect, like a person who has 1,000 years, doing the things, and that has other reality, with other capacities, is other person, and he will But is that, today, we are so expuptos to Tantas of the world exterior, and compare us with that is a grave error. In art, especially, it's a lot. We compare us with people who have many years, many experiences, many abilities, other resource, another, other ojo, another recorritory. And this is it to give it to any area of your life or of my. Why compare us? And so it's very difficult, because with the only person that I have to compare is with me myself. With the experience of a year that no, that's not a scrap, with the experience of 10 years, that only was a chica of officeina, that only had worked in periodical, that only was able to do notices. When, she presented a new to have to have to live and sustain two started to do cartels with what I had in the hand, and if I compare to that experience, it's with that I have to compare. And it's the I have to felicitate, and it's the I have to celebrate, because nobody more has been in my I know my gotters and my trapo-sucios. The good and the not-tham-wones, and I know what are the robes that I've manched and the prendes that I've been to try because I don't know how to recover them. It's only person that we can't compare it, but what difficult, we're doing, we're doing, and this collage, that I'm has a consigna, with a phrase that is a beautiful. Confio in the process, I'm just about that word. And I want to share with you, because, today, the adults, we've been so overexigiedos, the parents, the professionals, the children, the kids, the tios, we're so overexigued with all the roles that we have. that the process is a percivited, only we do we do, if we know that the result will be optimal, and if really is it's good, but the price that I'm going to pay, is the price, no, we don't, we don't, we're not, we're not, we're not about the process, we're And the process where is that? It's for that this confio in the process is like a mantra, that Ibrace, that Ibrace of a papelrya creative, to that me summed a very little, by doing this to make pausasas and to reconnecting with me, and with what I really, with this analogic and not so digital. For that I'm inaugurating this libretta, making this collage. around of these words, because I want to use it as a excuse to connect me, to connect me with what analogic, to connect me with that that I do it, with that I like, with that, that me enciended the soul and with that makes sonreir. Because, also, I consider that today in my present, this phrase is very because me encounter in a moment of my life, in where, for me, confiare in the process, signific to confiard in what I'm creating today, although still, not see as I want. And to do it, and I repeat, for me, this phrase of confiare in the process, me encounter, understanding that confiar is depositing that tranquillity in what I'm creating and to you. How to you are encounter, confi, in the process in this moment. I do I apply to my process creative, you apply it to the area of your life that you consider is necessary. I do you know, I'm that my men are learning, things new. They're discovering a new way, a new form, and I need to confiar in that. I need to confiard that also, I'm saying something, because I know that's I needed to get up and to find the fibron with the point correct, or not use a fibron in that moment, and when it was, and when it was to be it, patience, to learn of the errors with conciencia. Discovered the water-calient? No, I've discovered the water-calient, are things that are there, but that, are this of that that is perfect for that has value. If not is beautiful, no has value. If not is beautiful, no serve. If not is beautiful, then I'm not so much. Because we've been in a society and we're in a collective digital, that if it is a in 30 seconds or in a minute, that process is so, when the reality is that no. Let me say to you, that for you to do this, me give you a day practically. And you're seeing only this fragment, of what it implicated, to what I'm, to share this, that today, I'm Today, I'm, I'm not going to abandoning something that me has been, only because, today, not I'm so good as I'm doing it. I, today, I'm going to do it, I'm going to do it, and I'm going to do it, and I'm going to be able, because it's the etiquette that I'm and that if I'm excellent, no serve. If not so I'm excellent, I'm not sufficient. That's the etiquette that I'm cargo on. For that I've studied so, I've studied so, and I've got many of them. And, I'm sure how I want to keep that etiquette on top. And to start art, is a way to start that excellence. And the to sort that etiquette. For so, in these last months, or this last year, but specifically in these last months, I've understood that you've seen, that, to have encountered that, that's It seems that all my around is in silence, like, no exists more nothing, but it has my attention, complete, of what I'm doing, and that has all my concentration, to have been found out of it, and it's the more beautiful, and for that so I'm And it's of those little things that are transformed in chispas, immense, that, that, that, that, that's, that you're, that's enthusiasm, and, of, and, of, and, and, you know, and you find that, amigua, amina, amas, and not let's go, you aparted of that. Yeah, as adults, we've grown, we've lived, with many etiquettes. And I'm sure that many people, of my generation, of more of 40, I have 40, I have to give for serviced, we've paid all, we'll do everything, we'll do you know, we're It's moment to live and enjoy. Abrazzal-lo. Don't let's let's. And confia in that process, that, that today, you're trying to a way different, and today you give a value distinct to that process. So, with all this reflection, I'm going to this libretta. Look at all what generated, the collage of a libretta. Confiando in my process, people. So, me encounter, confiating my processes, creating with my hands, and giving me the permission to enjoy, while I'm, although the result not perfect. And, over all, because the result not is perfect. So, about, for that for that I do not only only to start, like the 300 ,000 libretas that I have started, but I'm going to keep it, and I'm going to be, as a plan creative, unique for me. Not only going to start, but I want to keep, and me, and me is fantastic, because it will be here, in this video, here, in this audio, that nace of the most profound of my ser, and is the evidence. that I'm going to use to record me. Every time that you want to let us, or that desist, or that I'm going to go to this audio, and I'm doing to remember me, and say, Esperanza, you've got, to commitst with you, to not only to start, but to give this libretta, like a plan creative. I'm because they're made from the most genuine of my heart, from the most honest of my being, like, all what I want to share in this space. Let's give a brother, grandotot-tote, and if you want to sumer something,

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