Flor Pop-up tutorial paso a paso/ Step-by-Step Tutorial for Making a Pop-Up Flower by @esperanzalandia on 3Speak
Hoy quiero compartirles algo que me tiene bastante entusiasmada. Hace poco descubrí el pop-up como técnica en papel y me pareció fascinante todo lo que se puede crear a partir de algo tan simple co...
Tags: #spanish #handmade #stationery #papeleria #tutorial #blog #life #ecency #3speak
Today, we're going to learn to do this flower pop-up. I'm going to use it in a postal. Then you, you can decide if you're in your padern, I did here in practice, but the mechanism that has to be able to be any other creation. We'll see the list of materials. As always, we're going to need different types of tithel. We'll need a regla. We're going to need these, these pinces, that in some places, they're broches, in others it's ganches mariposa. There are one that are much more small, other that are more grand. This is the number 4. Different types of pegments with you feel more comodas, you can't work with what I think. I also have this pinza that me permit to grab, no, it's like much more for this project, different types of papers. I'm here, here I have more or less defined, what I'm going to do, and I have the combination of the papers. No, for this project, no, there's a model specific, because this also is much to leave to your free creativity. Me, you're going to be that I'm going to do a manual-alceded. This is for me to practice a little bit of creativity, but, well, I have here, papels of scrapbooking, that are cartulinas of 160 grams, and I have cartulina of a single color. And this I will use to go to combine. I, more or less, I grab the tonos that combine with, more or the papers that I'm going to use, because this I have defined, that will be a target, a postal, what I'm going to do. I have a happy mail, and I'm going to do so this will be in the happy mail. This is the base of the material. I have this whecito, like, if I need to planar something. This is a guillotina, that you can't use or no, depending on the type of design. I have it, I don't know if you'd have, this is like to do different types of cut in the border. Still, I don't know if I'm going to use, but, I'm not So, so I'm trying, in this case I'm going to use, it's probable, or this mariposa, or this flowercita, so I'm in the base of the seal of silicone, and in this case, different types of tincts, depending on what I'm going to use, but the most probable is that this, that is the black, that is tinta for the seals. So, it's the most probable that this, you can't get it in any particular library of papelrya. In fact, there you can't get. And if you can't get into the floor, it has a little collage, which you can put a So, I here, here, I've got a compendio, because I have of stickers that I'm going to be using to do my collage. If you don't you have stickers, you can put recortes of a periodic, recortes of a revista, or, some phrase that you decide to do manual sad. So, so there's no, no, there's no, no, there's Inconvenient. Well, having all this, we're going to start to decide, what are the papers that we're going to use, and the pass-a-paso of how arranca this story. I'm going to be there with my flower of inspiration, which is my design original. As well, as I said, we're going to need papers. Here, the important is that, first, define a the idea of the stampos that they have in there. Here, here I've used many, but I've used many, but there are, there are many flowers. As a lot of floreal, this is, this is pretty marital, but I me like this paper, this base, me like this, this is the base of the targetta. Having my base, I'm making my base, I'm a combination. As I have these papers, I made, I have my base, my table of So, well, here we can look and, over the base here below, we have this quadrado, mide 15 per 15. We can choose where we want to be the stampage. If we have so, this is decision of every one. I mean, I like, the rations to go back. is like, much, very long, so I'm going to look that I don't have, but I'm going to mark here with the regla, and then, with my sysak, with my sysa to cut. This, I'm going to go to be a little, so I'm going to put it here, and I'm going to put it, so I'm going to put it to be a Here, here, I'm a little more angost, and this, then, then, we'll use to read this. No, I'll get much, because I'll start to text. And now, we'll do the tithes, the tally, the tithes, and you, you know, the tithes, and you have to choose three tones. But, like, this is the postal, to do you have to make a base. So, I'll choose, what would be the base that I want, this more, I'm going to be the tally. So, this is the color of the tally. This is very clear. And I'm here, then, the base, and the color of the flower. I'm going to have this circle for the interior, and the petals I'm going to do with this tono. For the time, this color is the color of the base. Here we're going to make a space here a little. If this, we'll make, how much, how much. $12.15. The of the adentro has to be more small. I would do it be more small. I would do 2 cm. less of each other. So, so, then, then, I'm going to put like, so, and I'm going to make 2 centimeters here, 2 centimeters of this side, and 2 centimeters of this other. So, I've got to cut it, then, a rectangle of this side, that mid, 8 centimeters, for 11 centimeters, 8 of ancho, for 11 of high. Okay, so we're going to come here, if you want, for here, and we can, and we can, a me like to count. 1, 2, 3, 4, 5, 6, 7, 8. in 230 and pass. There, I have the ancho. And then I go to back, and I know the 15 centimeters. 1, 2, 5, 6, 7, 8, 9, 10, and 11. 10, and 11. 10, 10, 10. 190. Me, me, I'm sure, that my raya stay in 190, and there, pass. We have two options. We can't cut with the guillotina or to cut with the tichel. In this case, for you You can do the border, if you want, undulado. You see, that I've shown the tigera, this, in zig-s. Also, you could, if you can't, you can't, you can't, you can't cut it in zig -sac. Cortas all the borders, and, you always, to do it in synchronia with the zig-s. Here, calso in a sec-sue. And here, it's always. When you calz, enter, then, and there, you get a parogeal the cut. Here, here could you put it, and look how it would also if it would be with zig-sax. In this case, I don't do with zig -s-s-s-sax, I'm going to do with the line of red, but I'd want to show that other alternative. Or, if you want to fraccar the paper, also. is that then, here is, this decision you of how you want. I have the habit of cerrars, so, well, and here, more or less, we have medied to where it would, here, yeah, more or less, we have quadrower to two centimeters, and you know that, all of quadrars to two centimeters, all the other would end up to two centimeters, that we're going to peg our fond. So, the fund, not we're going to put in this moment, because first, arm us the flower, and then the Pegar the front because, as we have this circuit, this has to be below the circuit. It's not to have the patitas of the brooch. Well, getting this now, that is our base, it's our lience, over this, we're going to do our floor. And we've said, this is the tally, this is the tally, this is, with this, we're going to do the pettos, and with this we're going to do the circle of the end. And all this, you can do, or, if you want to do it, or if you want to do you I'm going to do a little, a man -alced, because, let's come to get more or less the flower or the tull, more or the tally, more or less this is, the petalus. So, think that, more or less, if this is 10 centimeters, at least 5, have to be of the tally. And the tally has to have the part to up and the two to go ahead. What you can do? First, the middle, and then do the disfurcation, or it does when you of that way. I go, more or less to measure, here, the 5, 6 centimeters, of the alto, more or less here, and this, I'm going to cuter to cut to me the excess, and with this, pardon, if you can't listen, but it's my pervita, that, well, as you know, when no has a mascot, it's complicated, that the mascot, guardessilection. Let's make it more, let's make sure, and, well, let's make sure, This is part of the process of decorar. And then, we go to, like, if it was that we're doing a capture. Then we put here, and we're just, accommodating and defining a little if the time is very high, this, I'd re-bajave-a a little, and this tally, also re-boharer a little here, and this tally, also recortarer a little, and it would have there. There, there's my tally, and now we're also I'm going to take a here an excedent, and it's always with pedas chis, in this case, it can be up, or it can be more, that's the petals a bit more aberted. Think it, that we're going to put together, so it's a perfect, has to be this, so much, is it, so that the part of horizontal? So, well, I'm going to do this way, and I'm going to do, so, so, so, and then, so, Recorta, without fear, that, then you're going to be accommodating. You can't, and if you want, affin you, affin it a few, petal, if it was that, you'd, it's like, very gourd. Let's see, here, if I'm here, so, this side, and I can, if you want, then, there, those, make this more redond of this side, and of this other, too. This, over the march, you're going to go to get, so, so, so here, and it's going to open, and it's going to start. You can put it here, if you want, here, flowers, if you want to put more flowers, and then we'll go to go ahead. And now, we're going to do it. And now, we're going to do with, even, even, I'm going to think, that I'm thinking, that I'm thinking in this instant, this, this, this, we're going to see, this, we're and this more angost. I don't see if I'm out of camera, I'm doing it. There, look. Look, look. Make it look. Make it spectacular. And now, we're going to dole. And it's the same. We're going to get to a circle, and it's the more small. I always work with a piece of paper, because it's more easy to manipulate. I'm not saying something. Let's tell you something. Let's say something. Let's see what we need to. Well, let's see them. This, and we have the flower, from this side, with our four petals, that's The circle that's going to be in there to be more or less, so it would be a circle, or a, more well, like, like, a oval, I would say, this is going to be doing, like, so you can go to make, like, so you can't do, like, so you can't do with, that idea is that it's going to dole, that idea is that you can't be there, and that can't have a message, there, and also can't put here, and this is to put here, and when this will open and see, there's going to be the mechanism. This will be, this is going to do? What we're going to do? We're going to pay, first. This, you have, like, two options. Or, on top, or, on both options, first, we're going to peg this here. This is to tryer this. This is going to peg, to the base, here, and we're going to put it, for that. And, while, we can't get our mechanism, that, we can't do. or not they're cruises or not they're not, but not I said that we're going to need to be an aggheria dora to make a wakito and two pincitas more to sustain it. So, well, I've got this, that's of a little bit of a That same, we're going to do here. We're going to come to come up, and that are being puttest, and, sottenying the four, we'll make a little here. And now, what we do is that we pass over here, and we open, and open, and then. Now, what we do is that we'll encoges a little, and the little bit, and the same of this side, and then I'll just me be at the cost of. One way that's that, we'll just to make these palettes, and we're going to make, and we pass over here, just over here in the middle, there's it, and we pass our palitos, there's we have our flower, pop, that's open, we have our petals, that's move. So, now what we do we do, we'll just, we'll get a little bit of this, let's get the excess, we'll go back to the base, and we can't. This we can't add some stilos, if you could have to be here up, or you can adderle a point or you can adder a phrase, for that's I'm going to put to this side, because me does the sensation that no, it's going to grab much the pegament liquid, and I'm going to put together, pegament biface. Cinta and biface, and so, once I'll show how it's used the cint of bifas. I'm short here, because it's much much, and I'm going to put it, because it's And one that this is so, verify in where I will put it, and I'm going to put it, and I'm going to get it, and I'm going to get it, and I'm going to get it, and I'll go back. Now, we'll go back here, and we'll go back here. I'm going to go ahead. We'll go ahead and then we're going to do it, so we're going to do it, so we'll go ahead. We'll Well, there, there we have we, and as we've done the markers, I what I do is that I positiono, and list. Passo, and there I have my floor pop -up. And now what we have now is the part more divertida, that is to add to some decorations. I said that you could add to some... Pumpitos, you can add a phrase, and here you can't put here, something, so you can't put here, also, for that I'm a cult. Here, I'll write the word, hello. And, here, I'm going to say, I'm going to put for you. and so, we're our flower pop-up.
@equipodelta: Buenos dias Esperanza, bienvenida, nos encantan tus manualidades y la calidad de tus presentaciónes, hay un solo detalle que no cumplen tus publicaciones que te animo en tomar en cuenta en tus proximos post, nuestra comunidad se rige por normas te invito a leerlas y seguirlas. Revisa la regla numero 1
@tibfox: This is an awesome tutorial with such great detail and effort. Thank you for sharing your creativity and knowhow on 3Speak! replied to 9:44 on 3speak.tv