Aprender hacer una tote bag con lazos/ Learn how to make a tote bag with bows

Transcript

Today, we're going to learn to do this beautiful bolso. This is a Totebap. It's a each to want to want the use and the abuser. And today, we're going to learn to do it. It's super-facil to do. It will serve very much for the day -a-day. And if you have to have to be able to do, my love, let me say that with this Totebap, you can start a is completely refforceded and for the inside, it's a beautiful, because this particularly, will be a gift that I'm going to give now for the day of the Madres. So, with simple rectangles of telas, you can make this beautiful bolso Toteba. the mold of 35.40, remember to have to have the margin of costura, and 8 cm for 70 for the manila. We need two rectangles for the interior, and two rectangles for the interior. I'm going to give to this bolso with fricelina of 80 degrees. You're going to need a point for the interior with... without 2 centimeters, because there's one that they're one that is the middle of this, of a centimeter, and it's very small, so, not with that, of 3rd,000, you, you're going to have to be 3rd,000, also, to put together, and 1st,000, and 2ndle, and 2nd,000, to make the asas, and in all the case, a rectangle of 35-21, which is the time of the bolstio. What the first I do is, to accommodate the manage that I For that, I go to the planch, I'm sure that the planch has the temperature adequate for the type of the tissue, and once that's all the bleaked, I'll make all the plieges, I'll assure them with ganchos or with alfileres, and, posteriorly to that, quadro with the next manilae, to assure me that both, and so, that both, and so, I'm going to make the same man, when they're and I'm going to go in with my pinsas, and I'm going to start the dobleces. It doesn't have to be very fruncid, no, it doesn't even, even, even, actually, completely, it would be nice, but, well, I mean, I just to doke, the balladito, that me in the middle, so this we're going to doble, and this piquito, we're going to make a cortecito, we'll go back to What we doble, is that doblas, in this case, I have the advantage of that squadrilla and has lines. Here, here, we'll doble one centimeter, to do that the kept concidas, the manichas, and so, it got, pegged the volado and the cintables. Now, what is what we do? This is we have reserved here on a costadito, and now what we're going to do? We're going to put the fricelina to the forro, so we're going to coer, a fricelina, a and then we're going to emparsehers, sobrate. This will be costura rect for all the contours. Costura right for all the costum. And one that we have pared, this, and we have imparijed, just there is that we're going to put the bolsticeo to the top that we want to callocar. Recien, there. And in this case, particular, I'm going to put the manihas to the forro. No, so I'm going to put to the exterior, as it in the part superior, as I'm going to put the ballad in the part superior, not me conviener to put the manila here, so I'm going to put it here, and it's exactly equal, only that the manila is out from, and, because, as I'm going to look more, because, as the in the planch, what I'm going to do with, varying the lines that has the tela, I'm going, more or less to dolear, here, emperegand I'm in the line, and what I'm going to do with the line, and what I'm going to do to planch. To do the rle, then, and then, then, the fricelina to the body of the fore. What I'm going to do? I'm going to cut the fricelina, excellent. Echto, this, now what we're doing is that we're doing, now what we're doing is that we're going to go to percent, because no, there's a measure exact, uh, for and one here, all right to get enmarked our bolsillo. Here we'll goce on the, and here, remember to track, ahead, and atras, various times, for that it gets well, fido, these parts, okay? And here, I'm going to dole costura, for reforseer the bolstio. Well, I think you, you know that you see that here, here we have the two bolstions. I doble to make sure it and do the costura here, to assure it, and so, we'll be in the two bolciles. This, I'm doing this way, because this box, I think that I'd like that person who is to give it, I think, I'd like that the person who use, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, And I suelo, this not a regla universal, is something that I do do do, I suenel, I do, from the center, depending on the long, I usually, 10 centimeters. How I place I'm doing I, how I place the manishe? I don't put directly like, and from 10, I'll put it into. There, the subject. And, from the other side, I do it, I'm position in the center, that here is more easy, because you know we've been measured, me position in the center, and I do the same, and I do the same, and I do the and here, the position in the same place than the other, that's her companion, and this is the position in the same place. And then, I go to the machine, and I'm subject to the border, here with costura straight. No, it's not fined, that, that makes the tissue. I was, what I did was that in the machine, to reforce this costura, I put a costure, I, and I passed a double cutura recta, and, so, there, I'm reforcered. Now, what happens? As I'm what I said, as the tissue, you're going to be able to, and you're being that way in the way that you're doing, I'm this union, here, of the trake, not I like, so, so I'm going to look a And, well, what I'm going to do is a moanito, and with a point-a-man, I'll put it. Well, we're going to do it. Now, what we're going to uny. And we're going to coer for all the contour, and we're going to goce for all the to this hermosura. So we're going to keep the excedents, that always there's a little of tea, to return, with our telfare of piquet. Now, we reserve the forro, and we're going with the exterior. In the exterior, we're going to put on the We're going to put the volado, as well, we'll put the interior, only that the interior was more delgado, and this is more large, much, well, so, what we're going to do now is to take it to the machine, and we're going to pass a costura recta. We're going to start this, we're going to front and front, and we'll that I put it, the ballad, what I did was, that enfreended, like, if it was a funder. But now, here all you have to calzart, if you've got to calzart, if you've seen the measures of the molde and the other. How will you confronter? You're going to confronter of the exterior, that has to coincide with the posture of the forro, the same of this side, that coincide, the manisas, front and front, but, the reverse of the telas. And, standing so, we pass double costura for all the contorno, and, having left this aperture, is where we're going to have, having this aperture, we're going to do it, we're going to do it around. We're going to make a costura for all the contour. The machines sullen, a malletita, to guard the hil, the You see, because you can introduce it, and this you're going to add the circle. You're going to come from the costura, you're going to doble, you're going to a centimeter of costura, in the back, and assurances, and this atrake, and now, go back. Well, and now, and now, now, now, it's all right? Let's not take in the point. And to put it in this. Let's get in this, we're going to planch it, to the mojo final, for the decoration. I hope that you have liked much this tutorial, that you enjoy this beautiful, that you're doing this, hermosa, and I'm going to show a variant, for that you emmoshiones even more. This is the other variant, with voladoes to the costas. It's the same time that we've that the colloque the volados to the coasts. Addentro, it has also, if you see, this is liso, the decoration, while the what we did we dole is made with volados in the interior. Also, the two bolsts completely different. So, what do you say? You're going to anima to do you? If it's so, leave me in the comments, that I'd like to

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