Entrevista radial a Alfasueños Teatro: Arte, ecología y cine desde Carabobo | Archivo Histórico by @alfasuenos on 3Speak
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but made it One of another that appeared, for sure, I read with much attention in that opportunity, one of that appeared in the day of the 201. In the age, Libertado, a note. They have an eges. I want to live a more illusion in the tables. What's the thing is the most of when the tables, when the tables, I would say, and they're going to other latitudes, because they're, because they're in other latitudes. We'll see that, Iliana Machado, the directora, but at Toto, you know, is. This is interactive. Well, the magic adventure of those kids, entrenched in a journey for the boat, with the intention to salvage, that integrals in the context, that integrates, is illustrated in the table, and the pieces, I want to live better, a work infantile, an Conscience for the Preservation of the Planet. Because I me me called much the attention this note, because I said, incredible, but certain, that the Semillero, and when we're going to Semillero, we're going to the children, are those are those who are those who are those who are those who are you. How many years you? 19. 19 years, 19. Jovencite is director of the theater. So, good days to all. Well, Alejandro, I want to hear a more. It's an inspiration of the song of our friend, Alejandro Ventura. He is Peruan. That song, us inspired to do this piece of the theater, who is a creation of Braulio Jimenez. And, well, and we decided to do with the children, because we said that they've taken the message, that they were the conscience, for that they carried their environment, and they've taken, you know, since the small, the consciousness, that we're going to care the planet, to care the animals, to not maltraters the arboles. And to do it with the children, was the way more beautiful that we could find, because the message was transmitted to children, What has been the response of the auditorium? Because the response to the auditorio, logically, is circumscribe the applause. But when the hours terminate, I know in the comments, oh, yeah, me liked, or not I liked, et cetera, et cetera. You, in your condition that you have, I'm doing a young age, what has been the question? Well, this function, took more of 400 spectators. And the response that we've got to all those people, both of children, young, and adults, was that the message was the better that we've done, transmitting the children, yeah that's a great conciences, and can't understand what we're trying to transmit in that piece, that was the conscience to save the planet, to not contaminate the and the rescue to all what is the naturalness, that we live in, in, in, so, we're living in, in, in, we're living in a city, and we're still, and they're burning basura, the children, put papers to the soil, and that is the conscience that we need to create, to, and our areas where we're partying, the parks, the schools, and all the communities where we're sitting in your area. only 19 years, and to have a responsibility, especially to manage the scene with a kid, not absolutely nothing. You're you're ried, because I imagine that that rizza has, like, like, like, an emotion internal. Of course, she also, also, also is a young. But, precisely, he's just about to say, that he's 19 years, for that's what I'm Yeah, well, I've been talking just 19 years, I think that it's the main experience that I've had been to be able to work with the children. I think that's not that was possible, if not were to be the support of my parents, and, for support, my director artistic, Braulio Jimenez. Without them, I think not could not be able to do. And the support of the representatives is inconditional. Without them, I think that this was not able to be. We know what interesting is the work that you're doing through the theater. Because I think, at the time, because this transmite, and it can't get to get a certain of persons, for saying it, of one way. What help have you, for example, I know that to costearse not so, can't even economic, or you know, have you, have some support of a new institution, you know, The support that we do our representatives. In certain education and institutions privates, and us precepting the support. But in reality, this is for the representatives. Without them, this is not far. And, and, and, and, and, yendon, and a little more to the interview of personality, how not you have this desire of, to be, to be a theater, and now the director? Well, I initially in the pastel of this year, when I had 15 years, I'm in Bachelorette. was a companyer who said, let me go, go, go, go, go. And then I went, and I went, and from, and then I looked. And, well, and from, and, from, and, from, and, from, and, from, and, we've done, and, and, we're, and, we're, we're doing, we're, to give me, and, we're doing our first long -metramet, Kati, Kati, 173. What is the name? Candy, 163. Kall, our first short-metrage, we'll present it. Kandi, Kaldi, yeah, Kandi is approximately. In the English, it's caramel. So, so, now, see, looking, to, see, looking to, I'll say, looking at I or what are your aspirations? Well, actually, I'm going to start to curses the third year of the Derecho in the University of Caravogh. Caravent. And, well, it's an example. And, well, it's as far in what it's as to refer to the theater, to continue. that that time that sioso that they have, they're in the theater, get it, to dance, to the music, or the cinema, that that time, they'll occupy, and they're growing, and they're growing, that's my purpose. That's the end of the table, you know, but you know, you're going to record, and the purpose of my brother, my brother, my brother, my brother, my brother, and my brother, and my brother, Breson, Elson Tiberio, who, who's form part of this team of the theater. I'm going to record to my friend, Damaso Blanco. D'Blanco, for those who give the message, is sustent in the next. It's fine, that's in the sport, but not forgets, and that's determinant in the life of any manchurch, and, over all in this circumstance. Now, well, we're going to call to one of the Here I have one, a human, other, and I've seen a Brittany. Oh, that's how good. Brittany, where do you are you? I have eight years. And since the time, you've started, at least? From, right? From, from you, that's for you, that's, to be in the tables? I think it's genial, and it's very beautiful. To me me You got it the first time that you, and what you sent you, when the public, that tributed that applause? What is what you said? Emotion, passion for the act. Wow, that's a response so, see what, vinculate is something that form a part of our lives, the passion. But the passion, we have to share with the responsibility, like, For that I insist, to us have to talk to interview, and every cantea of artist, and I always say the young that man, call that man, you're studying, you're studying? Yes, you're studying. No, no, possibly. Now, I would like the opinion of our company, Nelson Tiberio, for that also, because he's here like something, because he's here, as he's here, in the services public, where our chief of the press, Nelson Tiberio, is our chief of the press, and I'm here, and I said, well, what I said, oh, and I'm going to say, oh, and I'm going to call to Nelson, I'm going to say, oh, and I'm going to say, Nelson, well, I'm going to say, hello, Nelson, no opinion you, to hear you, I'm going to say, Nelson. Thank you, Dr. Alexander Moreno, thanks, too, a question. Thank you, Mr. Alexander Moreno. Thank you, to Palestine. Who's, has ceded this space for that the people, Y'Alpha, Sueyes Teatro, they can the opportunity to make a little more known. They're very known of the Libertado, and really one of the things that I me complies is that they're doing a work of Ormigita. Gran to a grand, it's going to be doing the work, and that implicate that the generation of the future is the that we're going to recatate of certain situations in which we're If you know, we form the young of today, we have men and women, capable to enrumbar a country, and capable of more vivable, especially when the nature, that is our viada, that is our house, the earth, is the way. So, then, do you do that theater? I did that, do you know, and it's a theater, exactly. Do you think the theater nace or is it, or is it? The theater is or is it? The theater nace, and then it does. because, really, although I'm not a carpenter, also me like the table. We're going to... We're going to know that. We'll have to... We'll have these two minutes, for that you say, first, you have a next situation, where? Second, me going to give all the information of where you can communicate with you? what institution that we're listening to you can help us. Presenting, I want to live more, in the Teatro and Luna, on Apocaterra, Sol and Lunas, Saturday, Saturday, Saturday, Sunday, and November. That's where the cost of, there, 300 Bolivari's, is the cost of the elevator. When will do that do you? This is Saturday, and November 14. And, approximately, we'll be our first long-metrage, Candy, 183, K. When will be the premiere? Dicember. Proximately, is it. Are you running the film in this moment? Yeah, it's in the production. In the post-production, correct. In China, Un-United. In Cines, United. In Cine's Unique. We have another, we're here, in the Sun Tiberio. Nelson, is that old. Hello. I'm sorry. Hello. I'm sorry. Hello. I'm sorry, good news. I'm not only of the actresses. I'm one of the actresses. I have to represent the protagonist, or, to be protagonist, or, to be a Broujabasura, which is, practically, the Mara of History, which is, which is trying to destroy the nature, for so to call it. And the principal motive that has a Brouja Basura is to destroy who she thinks that it's a menace, that in this case are all those that conforms the naturese. The second objective would be to continue with her work, because, as you know, she, contaminates the waters, with the deserts. Exactly. And, those are the objectives that have, principally my character, and that is what I'm, I'm here, They were where the talpola, how do you? The talpola talastas. How do you? Tell me something. Tell me, what's your name? What organization can you help? Well, the organization you can help? Well, the organization, well, the people can't help. A phone, a phone, a connection. If there's a call, there's a phone, or something. Well, we can't find out of the Internet. In Instagram, arro, wait a second a minute, so you can you can't copy so quickly. In the Correo is Alpha, Alpha, Alpha, Suello, Teatro. In Instagram, we can't find out. In Instagram, it's, Facebook, oh, okay, okay. In Instagram, on, Instagram, like, arra, actors, alpha, theater, 18, in Instagram. Okay. Correo? Offasownest Theatro. Alfaioetre, alfasueoetre, arro,gimai.com. Alphas, with that. With that, with that, alpha, with that, alpha, sueno, theater, alphas, arsuea, arbjima,000.com. Okay, perfect. That you've heard of the director, not the director, for the director, Well, my chasas, good, boys, really, not know the emotion that me have given, and I've been given to the world, all of us. You, that you're not saying, because, as well, I said, the beginning, incredible, but, sure, that the semitero, is it, who are the semillero? The children, depending on ultranza, the order of the order in our country. That's important, is interesting, and, So, so the most of the desire, have some telephone where you can call them to collaborate with you? That would say, 0416, 594, 6719? I'd say, I'd say, I'd say, 719. I'd, I'd ask, rapid, because we're just over -joled the time. For example, if there's an organization, an institution that wants to present them to you, they'll call. And you, also, also, also. Sure. Logically, no, no, co-bo, but it's a collaboration. Sure, well, thank you for us for giving us this opportunity of today and this morning to be, to share with you. And I don't want to leave to say to say, O'Leira Ruiz. O'Leiard, who is, daily-mey, who he sends many many, Salud, also, and you send to Valentina, Mr. O'Leira. Encanty, to be that she'll be it. Yes, sir. Thank you. A program different. Today, we're selling with broochie of the Oro. DeVro, really, that Nelsso, me surprised. I mean, he said, look, that's not, but what is what I'm saying? No, that's the telephone, so, well, but, but, so, that's what I'm saying, that's all the time. So, okay? So, so that's the problem. So, okay? So, well, so. Medalla of Orooompero in the Olympics, you attract me in the Rio. Silence, can be, today, I go, but no, the word of clave, today is, pantalone. It's all this morning? No, until the Lunez. He did in the part of technical, Pablo Garcia, Macro, Dr. Fernando Silva, O'Donelo-Leandro Moreno, the group of the art of us. It'll be until the next Monday. Keddesk, because she has been 54 years of the previous vocation, and a only motive, the music. Thank you.