Estudio N°2, Op, 52, Book I || Miscellaneus

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    minuetoacademy

    Published on Feb 25, 2022
    About :

      Hi my dears! Today I want to share with you the Estudio N°2, Op. 52 by the German composer Cornelius Gurlitt. Within the piano field, the work of this composer is commonly used in the context of teaching.

      Someone asked me once telling me - Hey! Isn't that the same Cornelius Gurlitt who hid hundreds of Nazi paintings for 60 years? - No! I told. Cornelius Gurlitt was a composer born on February 10, 1820 in Germany, while the Cornelius Gurlit that you mention was also born in Germany but in 1932, the son of Hildebrand Gurlitt, better known as the Hitler's Dealer, that is, a merchant of works of art in the service of Hitler.

      Returning to the topic of this publication, this study, composed in the key of G minor, is developed in tempo vivace under a figure indicating compound compass (6/16). A small ternary rhythmic motif will be present in the three parts that make up the formal structure of the piece, providing, along with harmony, sonorous beauty charged with simplicity, movement and lightness.

      Well... I hope you like it. So far what I wanted to tell you. Thanks for stopping by here. Bye!


    SPANISH VERSION

      Hola mis estimados! Hoy quiero compartirles el Estudio N°2, Op. 52 del compositor alemán Cornelius Gurlitt. Dentro del ámbito pianístico, la obra de éste compositor se usa comúnmente en el contexto de la enseñanza.

      Alguien me preguntó una vez diciéndome - Oye! ¿Ese no es el mismo Cornelius Gurlitt que ocultó durante 60 años cientos de pinturas del nazismo? - No! le dije. Cornelius Gurlitt fue un compositor nacido el 10 de febrero de 1820 en Alemania, mientras que el Cornelius Gurlit que tu mencionas, nace también en Alemania pero en 1932, hijo de Hildebrand Gurlitt, mejor conocido como el Marchante de Hitler, es decir, comerciante de obras de arte al servicio de Hitler.

      Volviendo al tema de esta publicación, este estudio, compuesto en la tonalidad de Sol menor, se desarrolla en tempo vivace bajo una cifra indicadora de compás compuesto (6/16). Un pequeño motivo rítmico ternario estará presente en las tres partes que conforman la estructura formal de la pieza, aportando, junto a la armonía, belleza sonora cargada de simplicidad, movimiento y ligereza.

      Bueno... Espero les guste. Hasta acá lo que les quería contar. Gracias por pasar por aquí. Chau!

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      "Miscellaneus" is a journey through the wide range of universal music, a sound walk at the service of experimentation and the search for new textures and sounds.

      "Miscellaneus" es un recorrido por el amplio abanico de la música universal, un paseo sonoro al servicio de la experimentación y de la búsqueda de nuevas texturas y sonoridades.

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    Tags :

    music musica art classicalmusic musicforlife appreciator proofofbrain spanish piano

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