🎧 ELECTRIC BASS PRACTICE - Cover (Break Stuff) 🎸Limp Bizkit🎸

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    cesaramos

    Published on Sep 19, 2020
    About :

    "Break Stuff"
    Limp Bizkit

    What's up, Hivers. The one metal had a very interesting boom in the late 90's and early 2000's, “Limp Bizkit” had a very privileged and very influential position in that style, the use of C flat as tuning for some songs of this genre was very common, as well as in some cases the tuning in D or D flat. A huge number of concerts were the protagonists of the best concerts where they appeared and one of the most epic was woodstok 99, where it gave them a great boost, although full of controversy. As today the cover is on guitar, I would like to talk about its guitarist “Wes Borland” who has incredible versatility and ability to play the guitar, having a prolific career by himself;
    in 2001 he left the band and was replaced for the recording of the studio album "Results May Vary" by Mike Smith, returning to Borland in 2009 and all the original members for another world tour. There is a rumor that I have not really confirmed until today, "Limp Biskit" in his golden age always refused to come to Venezuela presumably because the Venezuelan public was not prepared for them, in 2009 when they confirmed a date in Venezuela, the Venezuelan public I did not buy enough tickets, claiming that the band was no longer prepared for the Venezuelan public, in those years great artists visited the country.

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    Que tal, Hivers. El un metal tenía un auge muy interesante a finales de los 90´s y principio de los 2000´s, “Limp Bizkit” tenía una posición muy privilegiada y muy influyente en ese estilo, el uso de DO bemol como afinación para algunos temas de este género era muy común, así como en algunos casos la afinación en RE o el RE bemol. Una cantidad enorme de conciertos fueron protagonistas de los mejores conciertos donde se presentaron y una de las más épicas fue el woodstok 99, donde les dio un gran impulso, aunque lleno de polémicas. Como el día de hoy el cover es con guitarra me gustaría hablar de su guitarrista “Wes Borland” el cual tiene una increíble versatilidad y habilidad para la ejecución de la guitarra, teniendo por sí mismo una carrera prolífica; en el 2001 sale de la banda y es sustituido para la grabación del álbum de estudio “Results May Vary” por Mike Smith, regresando borland en 2009 y todos los miembros originales para otra gira mundial. Existe un rumor que realmente en hasta hoy no he confirmado, “Limp Biskit” en su época dorada siempre se negó a venir a Venezuela presuntamente porque el público venezolano no estaba preparado para ellos, en 2009 cuando confirman una fecha en Venezuela, el público venezolano no compro las suficientes entradas, alegando que ya la banda no estaba preparado para el público venezolano, en esos años grandes artistas visitaron el país.

    "Break Stuff" is one of the most powerful songs of this band, the guitar riff, without fear of being wrong, is one of the most epic in the history of metal. The most surprising thing about borland is its simplicity in some of the rus riff, where in this one it is only done with overdrive and distortion, of course accompanied by a balanced equalization.




    “Break Stuff” es uno de los temas más poderosos de esta banda, el riff de guitarra, sin miedo a equivocarme, es uno de los más épicos de la historia de un metal. Lo más sorprendente de borland es su sencillez en algunos de rus riff, donde en este solo se hace con overdrive y distorsión, por supuesto acompañado de una equilibrada ecualización.

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    Limp Bizkit

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    "Break Stuff" - Limp Bizkit(Cover Bass)

    Its just one of those days
    Where you don't want to wake up
    Everything is fucked
    Everybody sucks
    You don't really know why
    But you want to justify
    Rippin' someone's head off
    No human contact
    And if you interact
    Your life is on contract
    Your best bet is to stay away motherfucker
    It's just one of those days
    It's all about the he-says, she-says bullshit
    I think you better quit, let the shit slip
    Or you'll be leaving with a fat lip
    It's all about the he-says, she-says bullshit
    I think you better quit, talking that shit
    Its just one of those days
    Feeling like a freight train
    First one to complain
    Leaves with a bloodstain
    Damn right I'm a maniac
    You better watch your back
    Cause I'm fucking up your program
    And then your stuck up
    You just lucked up
    Next in line to get fucked up
    Your best bet is to stay away motherfucker
    It's just one of those days
    It's all about the he-says, she-says bullshit
    I think you better quit, let the shit slip
    Or you'll be leaving with a fat lip
    It's all about the he-says, she-says bullshit
    I think you better quit, talking that shit
    Punk, so come and get it
    I feel like shit
    My suggestion, is to keep your distance
    Cause right now I'm dangerous
    We've all felt like shit
    And been treated like shit
    All those motherfuckers
    That want to step up
    I hope you know, I pack a chainsaw
    I'll skin your ass raw
    And if my day keeps going this way, I just might
    Break something tonight
    I pack a chainsaw
    I'll skin your ass raw
    And if my day keeps going this way, I just might
    Break something tonight
    I pack a chainsaw
    I'll skin your ass raw
    And if my day keeps going this way, I just might
    Break your fucking face tonight
    Give me something to break
    Just give me something to break
    How bout yer fucking face
    I hope you know, I pack a chainsaw
    What!
    A chainsaw
    What!
    A motherfucking chainsaw
    What!
    So come and get it
    It's all about the he-says, she-says bullshit
    I think you better quit, let the shit slip
    Or you'll be leaving with a fat lip
    It's all about the he-says, she-says bullshit
    I think you better quit, talking that shit
    Punk, so come and get it

    composers: Brendan O'Brien / John Everett Otto / Leor Dimant / Samuel Robert Rivers / Wesley Louden Borland / William Frederick Durst


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